Showing posts with label sewing. Show all posts
Showing posts with label sewing. Show all posts

Tuesday, 17 November 2015

after the storm: remembering

On Wednesday last week, it was Remembrance Day. I stopped work and walked down to the Cenotaph in the centre of our village, and watched all the children from our local primary school - including my youngest two - sing their songs, read their poems, and recite the names of every man in our village who lost his life in war. Men stood proudly in their well-maintained uniforms, medals shining, flags on heavy flagpoles held aloft. The oldest, a man whose face bore every one of his years, shook each time he had to hoist or lower that flag, or put it into the pouch that held its base at his waist, and yet you could see that every moment of discomfort or difficulty was an honour to him because he was still living, and he remembered those who had gone.


A boy in my son's school had, a year previously, visited the Tower of London's famous cascading poppy display and had been inspired to ask if we could do something similar at our school. All sorts of adults, from the local secondary school's Head of Art, through to our local British Legion representative, came together to breathe life into his dream. The children in the school made their own clay poppies, glazed them, fired them, and on Remembrance Day they became a field to the side of the walkway into school. I see them four times every day, in all weather, and they still stand proud a week later. They remind me to remember, and that is so good.

And then Paris happened. It happened on the same day we remember the birthday of my oldest friend's lost mother. And both those things together: the senselessness of loss, the cruelty of life, all the very best and very worst of humanity laying itself bare... it made me need to write here again. It made me need to say: I remember. I remember those soldiers from more than a century ago. I remember the innocents of Paris, of London, of New York and everywhere else touched by vicious violence. I remember the refugees from Syria, that boy on the beach, the faces of those mothers as they stepped onto Greek islands. I remember Jenny, my friend's mother, who was so, so alive and taken so fast and so unfairly. 

And I choose. I choose not to let all this bring me down: because everyone who died wanted to live, I know I must choose to live fully. To love my family and friends not just in my heart but in my actions. To grieve what's lost and then, on a new page, write a future. I choose to step forward into life with the steps they wished to take.

I know it's hard to feel like there's anything we can do to help after Paris. Those of us with neither the finances nor the power to help the victims or catch the perpetrators feel impotent. But let me tell you: we are not. We have seen the power of the internet to influence others in the name of hate and murder. But through the internet, we have the power to spread happiness, purpose and goodness too. And through life itself. If I raise my boys with love, with kindness and compassion, they can become three men who neither kill, maim or destroy. If I live my life as fully, richly and honourably as I can, I am one more person who hasn't been beaten or broken by the evil in the world. We need more children to grow into good people, and more people to live in the name of peace, kindness and happiness, and if we can do that, add all those people up and we make such a difference. 

This week I have a doll to sew. It may seem a frivolous thing to do in the light of what's happened. But it is my way of living the good in life, of living my values, of bringing happiness to others. My little niece may grow up to love it. It may brighten your day to see it here. And sewing it, for me, is an act of love for my family, and of filling my life and soul with everything that is the opposite of what those vicious men did in Paris. Making the world good starts with making our own lives good.
The Twinkle Diaries

Saturday, 11 July 2015

Room for improvement: reversible bedroom cushions

I'm starting a new occasional series on the blog today. It's called 'Home Improvement'. What is it and why?
  • Our house is in a permanent state of un-finished-ness (yes I know that's not a word!) I want to feel it's done. I want to feel proud of it.
  • We never have time to decorate, and we certainly never have the money. I want to move it up our priority list, and this series will act as a motivator. I want to be more creative with what we have and where we source things.
  • I love to make and to sew and I do it for my job, but I would love an excuse to sew more for our home. I want to have at least one thing I've made in every room.
I plan to tackle one room at a time, and give myself (or, let's be honest, ourselves, since I'll be roping my husband in) one month for each room. They won't always be completely finished by then (far from it), but they can certainly be improved. Hence, Room for improvement.

I'm starting properly with August in our youngest's bedroom. But until then, I've dipped my toe in the water with some new cushions for our bedroom. I love these prints and didn't want to sew and give them away. And I needed to time myself making cushions. So they became a sneaky project just for me!

Sewing just for me! Yes, it's both my husband's and my bedroom but he would never say "Do you know, we really need some cushions," so it was definitely a selfish project. I was inspired by Things for Boys' #selfishswap and though the deadline was the end of June, I haven't got around to photographing and blogging these until now.

What do you think? The good news, or the bad news depending on how you look at it, is that I'm inspired to sew a whole load more for our room.

For those who are interested, I recovered the chair in Raindrop Poppies Bronze from Anna Maria Horner's Field Study line and blogged about it here. I made the cushions mostly using fabric from The Village Haberdashery, one of my most favourite online fabric stores. The fabrics, top to bottom (in the picture below) are... well I shouldn't have said top to bottom as I can't remember the first one! But I really love those Arabic-looking trees, so do tell me if you know. After that, it's Lizzie House's Pearl Bracelets in cosmonaut, Hothouse Flowers Seeds in pink, and Michael Miller's Brambleberry Ridge Flight in gold & white.



Home Etc


Wednesday, 3 June 2015

On winning, instagram, and the pursuit of popularity

I resisted Instagram for several years but, in an attempt to get better at mobile photography, I started using it last summer. I'm such a convert. The photo (below) I took of my Thursday Breaktime  won a spot in Little Maldod's #mythursdaybreaktime roundup a fortnight ago. And I like to think I'm the sort of person unaffected by popularity or awards of any sort, but it turns out I am. It put a skip in my little heart that day.

#mythursdaybreaktime
I also published this picture of our winning May Queen window on Instagram. Our village has the longest lasting uninterrupted May Queen procession in the country (since 1928), and each year we enter the 'best dressed residential window' competition. Last year's won second prize, which was nice but didn't seem to affect me. This year's, on a space theme and featuring my sewn star garlands and the boys' homemade rockets, alien pictures and various space toys, won first prize. And again, to my surprise, I felt a swagger in my step. As a child I needed validation and as an adult I once turned my nose up against it. But it turns out that need is still there.

May Queen space window decorations
I'm working on some cushion covers for a competition, and it's my opportunity -although through random chance - to give someone else the feeling of winning. But I know, deep within, that it's also designed to validate me too - exposure, the number of people entering, eyeballs on this blog or my business site - all these things will be totted up in my head. Is this a bad thing? I'm not sure it is. As a writer, lovely though it is to write just for yourself, you have a symbiotic relationship with your reader. Can you really be a writer without a reader, or are you just a literary version of Schrodinger's cat? And as someone who sews for business, I do not exist without customers, and satisfied ones at that. I think it's possible to seek validation without decrying it as vanity, because it's an independent judgment of the value of your work, of the strength of the effort you've gone to and the result you've toiled for. And I can't deny that on a very basic human level, hearing someone else tell you that what you're doing is good, lovely, liked - or whatever - feels good.

my fabric stash
And I originally planned this post as a quick one to let you know I can't actually take any photos at the moment as my phone's broken!

Thursday, 23 April 2015

Sewing - director's chair covers and my fabric stash (which you should see dwindling soon!)


We bought two directors chairs from Habitat yonks ago. So long that they don't even make this style any more. The oak frames are still going strong but the natural canvas covers were stained and holey. You can buy new covers from about a tenner, but where's the fun in that? So I ordered some canvas from Deckchair Stripes (now called The Stripes Company) and got sewing. Not only do I love the cobalt blue, but I think they look really professional (sorry, I don't know how to say that without sounding like I'm blowing my own trumpet!). And, best of all, we've all sat in them and nothing broke! Triple win.
I've been thinking a lot about my sewing recently. I've had a big sort-out of my fabric stash (see new neat-ish folded piles in the cupboard above). I've had a general tidy up. I've been thinking about the importance, in the early days of starting a new business, of focusing on your core business versus diversifying to a 'portfolio' approach. I think I'm the sort of person who responds best to diversity, and so I've been sewing up a number of different products to get some customer research on, cost up and time out, and to develop a sense of my style and interests. Watch this space.

Tuesday, 14 April 2015

Sewing: a windmill zoo reading cushion, for my tiniest four-year-old boy

front side windmill patchwork reading cushion, featuring Alexander Henry 2D Zoo fabric

reverse side envelope reading cushion cover, Alexander Henry 2D zoo

I don't know if I'm allowed to gush about my own work. Am I? But I just love this cushion so much. It's 65cm square, using a cheap cushion pad from Ikea that's not very puffy - on purpose. I didn't want a big squidge of a cushion that you roll off of. I wanted a nice big flattish square that you sink into and look at books, build train tracks, and colour pirate ships on. And all of those things have been done.

The blue stripy fabric is thrifted. The yellow dots are Art Gallery Chromatics Pointelle in yellow, bought from Celtic Fusion Fabrics. And all three zoo prints are different colourways of the lovely Alexander Henry 2D Zoo which I adore and had shipped over from Fabricworm in the US (couldn't find it in the UK at the time) a couple of years ago for the Tiny One's bed quilt.

The cushion was a gift for the Tiny One's fourth birthday. Four, people. Time just keeps marching forward, doesn't it? He is such a sunshiny boy: bright and sparky, joyful and warm. I love him to the sun and back, and even further than that. There were so many times before I got to hold him in my arms, four years ago, when we thought we had lost him. And there were times when he was small and I was so, so afraid that he had lost me. I just feel so lucky now that we're both here, part of this family, all loving each other and getting to stride forward into the future. It's why I'll never say 'I wish he could stay this little', because I know how lucky I am to be here, watching him growing up.

Thursday, 9 April 2015

Sewing for money - a little small business post

I'm in the early days of my business, Sparrow Stitch. Sometimes I'm working on curtains for weeks, and sometimes things are a little lean and I'm taking on smaller projects. I don't actually mind. While I'm not trying to reach a certain income level month-to-month, the leaner times are good for business admin and a bit of sewing variety.
You may recall, from last summer, that I made one of these cushions before. A few weeks ago I made its twin, for Ava's little sister Eadie. I love a bit of girly sewing, and there's something quite therapeutic about running the seams of a square through the zig-zag stitch of my sewing machine.
I also made some bandanas to fit on a couple of dog collars. A friend's mother commissioned me and gave me some detailed parameters, but again it was a satisfying project. Neat, precise, tidy. Kind of what I needed at the time.

It's the Easter holidays at the moment, so my sewing's hit a bit of a standstill while we spend most of our time outdoors. I wouldn't wish the time away, but I'm looking forward to Monday coming round, school and nursery starting up again, and hearing the sound of my sewing machine coming back to life.

Monday, 26 January 2015

A treat of a weekend: gardening, bringing nature indoors, re-upholstering an armchair, and other winter comforts

It's been a beautiful treat of a weekend. The weather has, for the first time in over a month, had a tinge of warmth to it. I got into the garden and cleared, planted and dug and it felt good. I don't know a lot about gardening but I do know that I really love it. It has the same feel as sewing for me - that when I'm engaged in the process it absorbs me and grounds me, and it's where I find my full self when I'm feeling a little off-kilter. I brought the last green fern indoors: I love their prehistoric sculptural shape, and it's best appreciated individually.

Fern and clementines on the table

I've also been slowly plugging away at a re-upholstery project our bedroom. We were donated a lovely old armchair that needed updating and I thought, 'well I'll just have a go and do it myself'. It is far from a conventional re-upholstery job! But it's working nonetheless and I'm enjoying the slow, purposeful rigor of the process. (I'm using Anna Maria Horner's Raindrops Poppies in bronze, from her Field Study collection) (My three-year-old took that picture of me without me knowing!)

Re-upholstery armchair Anna Maria Horner Field Study Raindrops Poppies in Bronze

We've also had dear friends to stay, good walks in the last remnants of iced snow, warming soups and an unheard-of afternoon of reading papers and chatting while the boys played (courtesy of one of those soulless soft play places that children always adore and parents get a little peace at!) It's been a good weekend. I hope yours was too.

Monday, 12 January 2015

January so far: domestic, healthy, and full of good intentions

Ah, January. Month of cold nights, chilly days, root vegetables, diets, abstinence, wool and good intentions. 

I have such an affinity with new starts, with plans and goals, but I do also feel that January is a weird month, containing so much overlap from the year before. We are trying to be healthier after the Christmas indulgences, we are trying to get our houses in order after all the decorations and new gifts to find room for, and we are trying to learn from our past troubles and mistakes to 'do better' this year.

healthy domestic January, cleaning, sorting, date night 
Our January so far has been a mix of the domestic and the January spruce up. There's been a lot of cleaning (domestic drudge) and sorting out (January tradition). 

I've been trying to eat more healthily after the December crescendo, by which time a whole box of chocolates in an evening had moved beyond the craving category and into the standard diet one. Just look at that smug lunch above! 

We've tried to make our regular weekly date night more romantic, descending as it had in December into 'where are we with the present buying' catch-ups, punctuated by the munching of way too many crisps. 

But the usual jobs of motherhood have continued to roll on. Yes, I am referring to the picture bottom-right. Yes, those are the feet of the Tiny One, now three-and-a-half, and attempting to hide under our lounge coffee table. Yes, that is said table covered by biro scribbles - wait for it - after I had attempted to clean them off. He stayed under the table throughout the cross cleaning, sensible lad. Thank goodness it was a decade-old Ikea cheapy.

small little cute doorstop door stop
And through it all I'm still sewing. This morning, when I should've been working but I needed an easier route into the week, I quickly sewed up a doorstop for the sewing room door. The door that slowly closes while my back is turned and I'm leaning over my cutting table, until it nudges my back teasing "Stop me!" So I did. I don't use the word cute much but it truly is a cute little doorstop.

Tuesday, 11 March 2014

Sewing - a cushion commission, and a little sewing business business

A lovely friend arranged for some cushions to be made for her sofa. And they weren't quite right. So they came my way for a complete re-do.
Let's first say, My, this lady has some lovely fabric taste! Don't they look lovely? That leaf-print was in serious danger of being stolen by me. Lucky for her, I'm a goody two-shoes!
The fabric was a thin, dress-weight, so not ideal for cushions. It needed reinforcing with some interfacing. The cushion covers had been made several centimetres too big so they needed cutting down to size and then sewing back up again. And the zips were much too conspicuous, so they needed cutting out and replacing with invisible zips. Basically, yes, I sewed four new cushion covers from scratch.
It was a fiddly job, I'm not going to lie. And I got it wrong several times before getting it right, mainly due to ridiculous attempts to recreate serged seams on flimsy fabric without a serger. But I learnt my lessons and ended up French seaming the lot. For those of you who don't sew, that's basically a seam that's concealed within a seam, leaving no fraying edges.
These were my first concealed zips and I'm pleased with the results. And it felt lovely sewing something for someone else to enjoy. It felt more like a real sewing job than anything else I'd done before.
There are five or six weeks left until the Tiny One starts his six-hours-a-week at nursery. It'll take a little while to settle him in enough to leave him both mornings, but I hope to get four hours of clear sewing time out of it, and then another two or three evenings a week, of at least two hours each. And that will be the start of my little sewing business. I'm starting small and low-key, while my mothering commitments so overwhelm my sewing time. Ten hours a week to start with, and then in September it will build up to about 15 hours a week. There will be individual commissions, and there will still be gifts to sew, but I will mostly be focusing on home furnishings, especially curtains, and the quilts.
I just have to start earning some money: the pinch point has come. My full-time mothering was a vocation we had longed for and planned for, but one which we knew would need to transition back to a career as a working mother, once the littlest of our brood was ready for nursery and then school. And to get to sew for a job! There are many other things I could do but here I am with the one chance in my whole life to try and make a career out of something that I love, something that is borne of my soul. It's a dream to be paid for your passion. And you all know that I'm a dreamer. Cross your fingers and toes for me that it works out.

Thursday, 9 January 2014

Sewing: looking back at Christmas: home-made advent calendar

I sewed a few gifts for Christmas but didn't take any photos. No idea why. I guess I was focused on the giving rather than recording. But I did photograph the new advent calendar I made for the boys. I used a beautiful, Scandinavian-style reindeer decor-weight fabric made by Tiviot Mill. After hemming it and adding a long pocket for the dowel at the top, I cut 24 red felt rectangles and set to work on the pockets.
 
Oh the pockets! This is what I should've done, to spare a lot of time: cut white felt numbers, glue on white felt numbers, done. But I sewed them all on with a zig-zag stitch, used a needle to send all the thread ends to the back, tied and trimmed them. I really like the rustic look of it but, goodness, it was a faff! Each pocket had a Smartie for each boy and a card with a fun 'to do' for the day, such as drink hot chocolate, make a Christmas decoration, visit the Christmas lights, or put up the tree. I'll put up a full list at the end of November 2014 if I remember! The Tiny One, who ought to be called the cheeky one, managed on several occasions to find a chair, drag it to the calendar, and stuff his face with the bottom row of pocket's Smarties. Like mother like son!

Saturday, 4 January 2014

Sewing: half-square triangle ice cream quilt

I sewed an ice-cream coloured quilt. It is 2m x 2m. That's 6.7ft x 6.7ft. That's big. That's a lot of complicated work. And that, readers, is me allowing myself a bit of pride.
Each half-square triangle includes a white and an ice-cream colour. I cut out 12.5in squares from each colour, sewed them together around the edges then across on the diagonals, then cut them into four squares. I used this tutorial on making quicker HST's.
I quilted it along the diagonals in alternating ice-cream thread colours. With pink being the predominant colour, I quilted pink, yellow, green; pink, blue, purple. That's a lot of changing threads and bobbins and re-threading needles. There were several occasions when I decided I must be mad. One colour quilting thread from now on! The above picture also shows my corners/points all (or mostly all) matching up. Bit of an effort but worth it.
See that? That's the binding for you. It's scrappy, so there are different bits of pink fabric along the 8m perimeter.You can see one type of binding change for another in the picture below.
And there's the back: just white sheeting to show off the different colours of the quilting

I made this quilt as a commission for my auntie. I'm really pleased with it (can you tell?!) but I started it at Easter and sporadically sewed it right through to Christmas. With such a large quilt, I constantly needed to lay it on the floor to re-smooth, roll, or re-position it. That's not something that can be done with two small boys around who like walking on quilts! I'm glad it's done now. I have one last king-size quilt to make (my brother's), and I think I'm going to make it using a quilt-as-you-go method in order to avoid all the lay-on-the-floor logistical problems.

Thursday, 2 January 2014

2013 into 2014: winding the bobbin up

We've wound up another year, and the empty spool of 2014 lies ahead of us.
 
I love this feeling. I love a new year. I know it's an arbitrary cut-off and resolutions are often considered childish, but they're just right for me. I need an end, no matter how artificial, and I need to turn a page over ready to start again. I am a keen little brewer of plans and dreams.
 
2013 was a good year. We made progress on our house. I progressed a lot with my sewing skills. The little boys have been (mostly) lovely, the big boy has left Kevin the Teenager (mostly) behind. From the roots we set down in the Peaks five years ago, a tree has grown. We have good, deep friendships up here now, all of us. The Little One is at primary school. My lovely husband's job has changed to a (mostly) weekday, daytime affair, and our family life has settled into a much more regular shape. Our further-afield friends and family were missed, but we had such lovely times when we did see them. It was the kind of year of which the worse bits will fade from our memories, leaving the many good parts behind.
 
I have a good feeling about 2014. Our family moving on, growing up. And most of all starting my sewing business. That is the big goal for this year. It feels so, so good to be this close to it now.
 
After quite a long blog sabbatical, in which I lost my verve and impulse for it, I thought I'd come back and try again. To again be writing and recording our countryside life, my sewing and home-making (gosh, I wish that wasn't such a trite term), and all the simple, beautiful things we make, appreciate and do in the life we've built here. 2014, here we go.

Sunday, 3 November 2013

Sewing: a bountiful harvest

What on earth is this slightly blurry pile of fabrics? My mum and aunt sorted through my Nanny's old sewing things. She was one of 11 girls and many of them sewed for necessity, some for a job. Most of the fabric is from the '70s or earlier, polyester or similar, from markets or sewing factories in the East End of London. Now that may not sound too exciting, but this is my heritage dear readers! And this is also future superhero capes, dressing-up outfits and dens. Now that's exciting.
 Look at that: just for the record, the pile of fabric reached 80cm on my metre rule. That's a lot of synthetics my friend. You can also see the top fabric which is my favourite, and one of the few that I would have actually bought myself. But hold on, is it just fabric in my bountiful harvest?
Ribbons and zips, elastic and trims, threads and ric-rac, bias tape and lace. Oh my! My mum thinks most of the thread will snap if I try to use it, old as it is, but I'm keeping it anyway. I think she thought I'd throw half of it away but I feel strangely attached to this motley crew of sewing leftovers. I never thought I had a lot in common with my Nanny, but the older I get, the more I find to attach me to her. And I like the thought of those 11 sewing sisters, only one of whom is now left, passing that sewing heritage down through their blood and history to me. Even if it is a polyester heritage. I won't be a snob about it - half of me is Essex after all!
I've already made the Little One a pirate costume, and crikey if that synthetic fabric isn't brilliant for a quick dress-up sew. No hemming required, hoorah! And I have plans to fully embrace my heritage by turning the fake white leather into a handbag. Hello Essex in me, it's nice to have you around.

Saturday, 28 September 2013

Sewing: return of the mojo

Ooh, what's this? That appears to be a sewing machine needle in action. I do believe it's sewing two 8.5inch square together. But what's that in the background?
I do believe that's a whole pile of sewn 8.5inch squares. And a pile of fabric waiting to be squared up. Could it be that someone is working on a quilt? Could it be that someone is making 100 half-square triangles for a king-size, ice-cream coloured quilt? 
Well I do believe that someone is me! And I do believe that that's bona fide evidence of a sewing mojo that has dusted itself off, knocked at the door and said, "Honey, I'm home!". Welcome back my lovely mojo. Welcome back from vacation, my vocation.
 
Aaahhhhh, that's better.

Friday, 16 August 2013

Sewing: a blue zoo quilt for the Tiny One

I'm giving you a sneak peek. My husband's on stand-by to take some proper photos but here, with my poor phone photographing skills, is a little view from the Tiny One's bedroom floor of his new quilt.
 
I finished it in record time. My guess is that, if I didn't have to sew in fits and starts and if someone babysat my boys, I could make a single-size quilt in a day. Not sure that'll ever happen though!
 
All three of my boys now lie under quilts made by their mother's hand. It is what my sewing is all about really: my creativity and crafting making things that are useful and good and giving. My heart goes into what I sew, and then a small piece of my heart stays with them each night as they lie alone in their beds. Although I have to say that this poetry is slightly rose-tinted: it's not that rare for me to be in their beds too, trying to get them back to a deep sleep so they don't disturb anyone else!
 
There's a happy middle ground between the ideal/idyll and the reality in both parenting and sewing. I'm snuggling in there for the long term.

Saturday, 10 August 2013

Sewing: sea quilt

For a long time now, I've promised I'd show the quilt I made my parents. I made it last year, but only now did we get round to photographing it.
I call it the sea quilt. It's just about a king-size: 200cm by 220cm, or, with a bit of rounding up/down, 80" by 85". It's made in a wonky brick wall design (I'm sure there must be a proper name for it!), and I quilted it in freehand waves in pale blue thread. It's pale blue on the back, too. Let me tell you, it isn't easy manipulating a king-size quilt in the seesaw motion you need to get wave after wave. Though I love it, I'm not sure I'd do that again! 
I used a mixture of fabrics, some from my local textile mill shop, that sells remains, end-of-lines and seconds. Fabric addicts among you will recognise some of Lotta Jansdotter's Bella collection (Scandi Flower and Pebble Lines), some Pure Scandi (Dandelions), Shore Line (Kelp) and Kasuri Blossoms. I bought all these from Fabric Rehab, a misnamed store if ever I heard one - I am quite the opposite of rehabilitated since shopping there!
It is a fairly simple quilt to an expert's eye, but not at all to mine. It lies on my parents bed now, parents who have given me more love, care and help than you'd think could be possible. I like that it now warms and covers them, a little thank you whispering goodnight at the end of every day. 
Home Etc

Saturday, 29 June 2013

Sewing: tool roll

Let's unwrap this and have a look, shall we?
I made my dad and brother a tool roll each from a thick, brushed cotton. They're narrower at one end than the other, allowing for the tools to be placed in according to length. Each tool loop is slightly different in width and tightness. The top and bottom of the roll fold over the tools so they don't fall out when wrapped and carried. The central tool store are has medium-weight interfacing inside.
 
I made them for Christmas! There was neither time nor brain cells left to photograph them at the time, so my brother took these photos of his tool wrap for me to show you.
 
(I can't tell you how good it feels to sew something for a man that he actually wants, he really needs and is genuinely useful.)